By the late 1960’s the Godzilla franchise had become an extremely big deal internationally, and this film seems to be a celebration of the previous entries, reuniting practically every monster from the series plus some from other Toho series’, currently living captive on “Monster Island” . Unfortunately though, aliens take a liking to Earth and remotely take control of the monsters’ brains, making them wreak havoc until the human race bow to their command.
It goes without saying that this goes back to the Sci-Fi B-Movie feel of Invasion of Astro-Monster, and it re-introduces King Ghidorah as the adversary. Despite this, it doesn’t feel like a re-hash. For the most part the human story is engrossing; even if characters are under-developed to the point of being practically non-existent, and the plot makes only a little bit of sense, it all feels very involving. I wasn’t too sure what needed to happen and why, nor cared what happened to the characters, but I was nonetheless gripped by the sense that the makers did actually care. There’s no escaping the fact that the spaceships look… plasticy, but there are some really nice shots, with a strong use of lens flare before J.J. Abrams was even able to lift a Super-8 Camcorder. It doesn’t have the humor or lightness of Astro-Monster either, which works in giving the film it’s own identity, but none of these points manage to keep the human story particularly interesting through to the end; it becomes a bit of a drag eventually.
As is always the case, the monster scenes are the point of this film. While it surprises me that, given such a large number of monsters, the human story takes up so much of the runtime, the monster scenes we do have are indeed very good. There are brief scenes of destruction in different countries around the world, giving the threat a much more global feel, quite important when trying to convince us whole world is at stake. It reaches a climax when all the monsters have to team up against the incredibly powerful King Ghidorah for an extended fight scene. Despite Minilla’s presence, and the film following Son of Godzilla’s attempt to push towards a child-friendly tone, this is pretty brutal in places. Monsters coughing up blood, people getting shot in the head, brief surgery scenes and so on – it’s not exactly A Serbian Film but it’s an interestingly sudden shift in tone for the time it was made.
This is a difficult film to judge. Given the multi-monster set-up and the apparent effort that went into the making it suffers from weak writing, resulting in a film that is nowhere near as good as it ought to have been. It remains entertaining most of the time however, and with monster scenes that are some of the strongest in the series so far.