This review is part of my Godzilla 60th Birthday Challenge
After the massively successful Gojira this sequel was rushed into production and released only a year after the first. In my review of Gojira I mentioned that it would be interesting to see how the transition was made from a powerful atom-bomb allegory to the stereotypical Godzilla that fights a seemingly unlimited onslaught of beasts. It turns out that the transition was rather sudden, as Godzilla Raids Again introduces Anguirus; a dinosaur awoken by the same atomic bomb tests that awake Godzilla who, we are told through some painfully blatant & unexplained exposition, is extremely aggressive towards other similarly sized reptiles.
This film, probably due to its hurried production, has nothing like the careful, restrained effects of the first; fights between Godzilla and Anguirus are occasionally reasonable but the majority of the time less than good. Some sequences are sped up making them look nothing less than laughable, and the quality of the suits really doesn’t allow the fully-lit, long shots that make up these sequences. Inbetween these sequences are various human stories. The main plot is about two pilots who first discover Godzilla and end up in the teams trying to stop him. This is a pretty straight forward plot, with a Saturday matinee mix of light comedy and light romance, with a few brief but intriguing moments thrown in that seem to challenge some misogynistic ideals of the era. One or two other plots appear without warning that on one hand give the film a wider scope, showing some different perspectives on the city’s destruction, but on the other hand make very little sense in context, meandering along for 5 or 10 minutes without a clear purpose before disappearing from the movie, having created a setpiece for more key characters to be involved in. It’s an interesting way of telling the story but the way it’s pulled off here feels very disjointed and setpieces feel quite forced rather than organically forming as this style could have allowed. That said, regardless of how they’re created, the setpieces in this film have a great sense of spectacle that foreshadows the very visually-charged stylings of more recent Japanese films (not just Kaiju films).
While I was completely aware that my expectation had to be held back as I moved on from the brilliant first movie, I was still disappointed to find this film sitting uncomfortably between the darker, more realistic tone of Gojira and the spectacular, outlandish tone the latter movies are known for, never willing to commit to one or the other. In the context of the series it serves as an interesting transition, but as a standalone movie I had difficulty finding much to enjoy, ultimately being glad of the relatively short 80 minute runtime.